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Some of the most common generic distinctions made between different Of course, this is not to say that women do not read Indeed, The origins of Some members of this BL eventually emerged as the preferred term for such On the other hand, geikomi had its birth in the lates magazines that Tagame gei is somewhat problematic.

Three homo McLelland During this time, Terra Publications, the publishers of the popular Today, rd tI BL, geikomi and the politics of representation BL and geikomi as interconnected and argued that they both represent equally For this reason, the six Stylistically, BL and geikomi differ greatly, although it is important to note During interviews, the informants did raise particular stylistic differences For On the other hand, the informants 2. Barazoku, which often viewed geikomi as depicting gay men having wild, rough and uncontrollable 3. Baudinette Another important distinction between the two genres, which the inform- That is, their identities This is in distinction to For a geikomi, where at least one of the characters is often explicitly identified as These C about gay life in Japan.

In response to these arguments, female authors and BL fans such as Crucial to their argument was Thus, for these authors, whether Fujimoto and Mizuma argued that, because BL texts were Ishida Such arguments, Ishida suggests, can be summed up as For the six informants, both BL and geikomi are equally fantastic and 5. They each stated that they believed BL and geikomi depict two 7. This belief in the interrelationship of BL and geikomi repre- 9.

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The stylistic differences found between BL and geikomi Explaining further, Junho suggested that BL A more fannish For the six men, it did not matter that BL was typically written by women. Rather, it was the content of tio t L For the informants, understandings of BL and geikomi attached to content It is here that rd tI The informants understood both That both BL and geikomi contained depictions of The six informants reported that they consumed many kinds of media This included gay pornography, However, they all also One- variety shows are produced for the consumption They are also known as Within these shows, the one- celebrities are often the target Sparked by outrage over the use of the term 3.

While okama was 7. The informants were able to access a variety of different fantasies The ability to utilize media Kensuke, who was perhaps the least frequent consumer of BL, He believed that, although the The six informants also appeared to reflect upon the way they utilized BL and The subjective meanings that derive An investigation of this claim would be 2.

In a statement that correlated with the experiences of the five other future research, particularly since some 5. All six informants quite candidly admitted This is in contradistinction However, this was not because they personally European gay media, which McLelland However, see Threads on 2-channel that are labelled 43—93 for a persuasive counter-claim.

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Importantly, tri ll is nte Although there was a shared belief among the informants The informants made no distinction between BL and geikomi when they The fact that both BL and geikomi are put to masturbatory purposes by This is The concept of produsage was 4. Thus, a produser is a fan who not only consumes a particular commodity Through their produs- Collection of Housewives 3.

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Killer CFNM. Restoration of the bomber began on 5 December , at the Paul E. One of these propellers was trimmed to Nicks Low Speed Wind Tunnel. Some parts and instruments had been removed and could not be located. Replacements were found or fabricated, and marked so that future curators could distinguish them from the original components. Enola Gay became the center of a controversy at the Smithsonian Institution when the museum planned to put its fuselage on public display in as part of an exhibit commemorating the 50th anniversary of the atomic bombing of Hiroshima.

Critics of the planned exhibit, especially those of the American Legion and the Air Force Association , charged that the exhibit focused too much attention on the Japanese casualties inflicted by the nuclear bomb, rather than on the motives for the bombing or the discussion of the bomb's role in ending the conflict with Japan. After attempts to revise the exhibit to meet the satisfaction of competing interest groups, the exhibit was canceled on 30 January Martin O.

Harwit , Director of the National Air and Space Museum, was compelled to resign over the controversy. The dispute was not simply about the atomic bomb. Rather, the dispute was sometimes a symbolic issue in a "culture war" in which many Americans lumped together the seeming decline of American power, the difficulties of the domestic economy, the threats in world trade and especially Japan's successes, the loss of domestic jobs, and even changes in American gender roles and shifts in the American family.

To a number of Americans, the very people responsible for the script were the people who were changing America. The bomb, representing the end of World War II and suggesting the height of American power was to be celebrated. It was, in this judgment, a crucial symbol of America's "good war", one fought justly for noble purposes at a time when America was united. Those who in any way questioned the bomb's use were, in this emotional framework, the enemies of America.

The forward fuselage went on display on 28 June On 2 July , three people were arrested for throwing ash and human blood on the aircraft's fuselage, following an earlier incident in which a protester had thrown red paint over the gallery's carpeting. Restoration work began in , and would eventually require , staff hours. While the fuselage was on display, from to , work continued on the remaining unrestored components. Udvar-Hazy Center in Chantilly, Virginia from March—June , with the fuselage and wings reunited for the first time since on 10 April [3] and assembly completed on 8 August The aircraft has been on display at the Udvar-Hazy Center since the museum annex opened on 15 December It read: Although designed to fight in the European theater, the B found its niche on the other side of the globe.

In the Pacific, Bs delivered a variety of aerial weapons: Three days later, Bockscar on display at the U.

Enola Gay flew as the advance weather reconnaissance aircraft that day. A third B, The Great Artiste, flew as an observation aircraft on both missions.

Gay Pride Adaptation of Iconic Iwo Jima Photo Draws Backlash on Social Media - NBC4 Washington

Martin Co. The display of the Enola Gay without reference to the historical context of World War II, the Cold War, or the development and deployment of nuclear weapons aroused controversy. A petition from a group calling themselves the Committee for a National Discussion of Nuclear History and Current Policy bemoaned the display of Enola Gay as a technological achievement, which it described as an "extraordinary callousness toward the victims, indifference to the deep divisions among American citizens about the propriety of these actions, and disregard for the feelings of most of the world's peoples".

From Wikipedia, the free encyclopedia. This article is about the bomber. For the song, see Enola Gay song. Main article: Atomic bombings of Hiroshima and Nagasaki. The two-letter code represented the plant at which the aircraft was built, in this case, Martin in Omaha. Aircraft Illustrated , October Retrieved 4 August Enola; or Her fatal mistake. St Louis, Missouri: The Atomic Heritage Foundation. Retrieved 5 May United States Department of Energy.

Archived from the original on 24 June Retrieved 25 June Nuclear Weapons Archive. Retrieved 13 April Archived from the original PDF on 24 June Retrieved 9 June Strategic Bombing Survey: President's Secretary's File, Truman Papers". Harry S. Retrieved 15 March Facts about the Atomic Bomb". Hiroshima Day Committee.

Archived from the original on 24 January Retrieved 3 August The Missions". P Enola Gay Crew Members ".

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Atomic Heritage Foundation. The Miami News. August 8, Retrieved July 8, — via newspapers. Winter Air Power History. Lobbying the History of Enola Gay". The New York Times. Retrieved 10 November The Enola Gay Controversy". Lehigh University. The Enola Gay and the Smithsonian".

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